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Duccio di Buoninsegna Maesta oil painting reproduction


Duccio di Buoninsegna

Maesta

1288-1300 Tempera on wood, 31,5 x 22,5 cm Kunstmuseum, Bern
Painting ID::  6486
 

 

MEMMI, Lippo Maesta oil painting reproduction


MEMMI, Lippo

Maesta
Italian Byzantine Style Painter, ca.1290-1347
1317 Fresco Palazzo Pubblico, San Gimignano
Painting ID::  8187
 

 

Simone Martini Maesta oil painting reproduction


Simone Martini

Maesta

mk83 c.1315 Fresco 763x970cm
Painting ID::  33271
 

 

Duccio di Buoninsegna Maesta oil painting reproduction


Duccio di Buoninsegna

Maesta

mk83 1308-1311 Tempera and oil on wood 211x426cm
Painting ID::  33274
 

 

Cimabue Maesta oil painting reproduction


Cimabue

Maesta

mk86 c.1270 Tempera on wood 427x280cm Paris. Musee National du Louvre
Painting ID::  33301
 

 

Simone Martini Maesta oil painting reproduction


Simone Martini

Maesta

mk86 1315/16 Fresco 10.58x9.77 Siena,Palazzo Pubblico. Museo Civico
Painting ID::  33303
 

 

Cimabue Maesta oil painting reproduction


Cimabue

Maesta

Maest??, 1280-1285, Uffizi Gallery, Florence
Painting ID::  58393
 

 

Cimabue
Italian b1240 - d1302 Cimabue Location Italian painter and mosaicist. His nickname means either bull-head or possibly one who crushes the views of others (It. cimare: top, shear, blunt), an interpretation matching the tradition in commentaries on Dante that he was not merely proud of his work but contemptuous of criticism. Filippo Villani and Vasari assigned him the name Giovanni, but this has no historical foundation. He may be considered the most dramatic of those artists influenced by contemporary Byzantine painting through which antique qualities were introduced into Italian work in the late 13th century. His interest in Classical Roman drapery techniques and in the spatial and dramatic achievements of such contemporary sculptors as Nicola Pisano, however, distinguishes him from other leading members of this movement. As a result of his influence on such younger artists as Duccio and Giotto, the forceful qualities of his work and its openness to a wide range of sources, Cimabue appears to have had a direct personal influence on the subsequent course of Florentine, Tuscan and possibly Roman painting.
Maesta
Maest??, 1280-1285, Uffizi Gallery, Florence

        
   
 

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